Articles
“When Machines Begin to Read: The ‘Word Machine,’ Information Theory, and Finnegans Wake,” Joyce and Hypertext, ed. Mark Nunes (University of Minnesota Press, forthcoming).
“Machinic Art, Machinic Subjects,” in Sara Hornbacher: A Thousand Plateaus. Catalogue essay for video installation at the Atlanta Contemporary Art Center, Atlanta, Ga. Feb. 2001.
“Mediality in Vineland and Neuromancer,” Reading Matters: Narratives of the New Media Ecology, ed. Joseph Tabbi and Michael Wutz (Ithaca: Cornell University Press, 1997), 173-192.
“Theoretical Invention and the Contingency of Critique: The Example of Postmodern Semiotics,” Signs of Change: History, Theory, Culture, ed. Stephen Barker (Albany: SUNY Press, 1996), pp. 33-68, 348-349.
“Jameson’s Hyperspace, Heidegger’s Rift, Frank Gehry’s House,” in America’s Modernisms: Revaluing the Canon–Essays in honor of Joseph N. Riddle, ed. Kathryne V. Lindberg and Joseph G. Kronick (Baton Rouge and London: Louisana State University Press, 1996), pp. 182-207.
“Jack Gibbs: JR’s Theoretician of Chaos,” Profils Américains No. 6: William Gaddis, 1994), Center d’etudes et de recherche sur la culture et la littérature américaines (CERCLA), pp. 97-112.
“The End of the End,” in Baudrillard Live: Selected InterviewsBaudrillard Live, ed. Mike Gane (New York: Routledge, 1993), pp. 156-164.
Articles in Journals
“Distributed Information: Complexity Theory in Contemporary Science Fiction,” in Science Fiction Studies (Summer 2001), 26 ms pages (forthcoming).
“Machinic Vision,” Critical Inquiry, Vol. 26, No.2 (Autumn 1999).
“Computer Fictions: Narratives of the Machinic Phylum,” in Journal of the Fantastic in the Arts, Vol. 8, No. 4 (Fall 1997), 443-463.
“An American Book of the Dead: Media and the Unconscious in Vineland,” Pynchon Notes 34-35 (Spring-Fall, 1994) [appeared Feb 1997], pp. 20-37.
“Superlinear Fiction or Historical Diagram: Don DeLillo’s Libra,” Modern Fiction Studies, Vol. 40, No. 2 (Summer 1994), pp. 319-342.
“The Labyrinth of the Continuum,” More & Less, Vol.1, No. 1 (Jan. 1994), pp. 59-88.
“Discourse as Event: Foucault, Writing and Literature,” MLN (Fall 1990), pp. 800-818.
“Pynchon’s ‘Zone’: A Postmodern Multiplicity,” Arizona Quarterly, Vol. 46, No. 3 (Autumn 1990), pp. 91-122.
“Post-cinematic Fiction: Film in the Novels of Pynchon, McElroy and DeLillo,” The New Orleans Review, vol. 17, no. 2 (Summer 1990).
“J.R. and the Flux of Capital,” Revue Française d’Etudes Américaines, Vol. XV, No.45 (July 1990), pp. 161-171.
“`A Dimensionless Place Between’: Narrative Immanence in Joseph McElroy’s Lookout Cartridge,” The Review of Contemporary Fiction, Vol. X, No. 1 (Spring 1990), pp. 95-111.
“Generic Difficulties in the Novels of Don DeLillo,” Critique: Studies in Modern Fiction, Vol. xxx, No. 4 (Summer 1989), pp. 261-275.
“Representation and Multiplicity in Four Postmodern American Novels,” The Texas Review, Vol. X, Nos. 1 & 2 (Spring/Summer, 1989), pp. 23-36.
“Double-Voicing and Inter textuality in William Gaddis’s The Recognitions,” Genre, Vol XXII, No 1-2 (Spring/Summer 1989), pp. 41-67.
“Postmodern Theory/Postmodern Fiction,” Clio, Vol. 16, no. 2 (Winter 1987), pp. 139-158.
“Multiplicity, Proliferation, Re-convention,” Journal of the Los Angeles Institute of Contemporary Art, Vol. 5, no. 43 (Fall 1985), pp. 24-28.
“Gravity’s Rainbow and the Spiral Jetty” (co-authored with Jeremy Gilbert Rolfe), October I, II, and III (Spring 1976, Summer 1976, Spring 1977). Reprinted in Immanence and Contradiction Recent Essays on Artistic Device (New York: Out of London Press, 1985), pp. 86-150.
Essays, Reviews, Interviews
“Interview avec Félix Guattari” (in French), in Chimères: Corps et âmes; English translation in Felix Guattari, Soft Subversions, ed. Sylvere Lotringer. New York: Autonomedia), 1996.
“Interview: Jean-Francois Lyotard” (with Suzanne Guerlac and Robert Cheatam) in Perforations, Vol. 1, No. 2 (Winter 1992).
“The Figure, The Body, Sensation,” Artpapers, Vol. 15. No. 6 (Nov./Dec.1991), pp.63-65. Essay-review.
“Criticism and Theory,” Artpapers, Vol. 14, No.6 (Nov./Dec. 1990), pp. 19-22. Essay.
“Introduction” (with J. Gilbert-Rolfe), Guest Editor of issue on “The Erotics of Doubt.” New Observations, No. 74 (Feb. 15 -March 31, 1990).
“An Interview with Jean Baudrillard,” Artpapers, Vol. 13, no.1 (Jan./Feb. 1989), pp. 4-7.
“High Ambitions, Low-Budget Lives,” The Texas Review, Vol. 8, nos. 1 & 2 (Spring/Summer 1987), pp. 119-120. Book review.
“Polyphonic Images,” in Gregory Perkel (New York: Mokotoff Gallery Publications, 1987), pp. 2-6. Catalogue essay.
“Some Versions of Postmodernism,” Artpapers, Vol. X, no. 1 (Winter 1986), pp. 10-14. Essay.
“The Sacred, the Profane and Kathy Acker,” Open City, Vol. 5, no. 3 (Oct.1986). Introduction and interview.
“Blanchot Brought to Light,” The Soho News, Feb. 23, 1982. Article.
“After the Wake: An Essay on the Contemporary Avant-Garde,” Express, Vol.1, no. 3 (Summer, 1981). Book review.
“Michael Goldberg’s New Paintings,” Artforum, Vol. XVII, no. 10 (Summer, 1979), pp. 42-45. Critical essay.
